Sanjay Mishra the real Bollywood HERO who worked in a dhaba

I loved doing Bunty Aur Babli. I love working with Rohit Shetty. I just shot for Dilwale. Kuch bhi karva leta hain mujhse (he makes me do anything)

I worked in Jolly LLB for free. It was just a night work. We laughed till we died during the shooting. It was such a cute character

If you flip through the Hindi film channels on your television, you will definitely stumble upon a film starring Sanjay Mishra.

An unassuming man, with great talent, the actor has a habit of signing as many movies as he can, even small movies that may not get a release. His reason, once you get to know it, is unique.

I sign small films for rehearsals and I get paid for them. I always say with pride that I do my rehearsals with the producer’s money. It’s much better than rehearsing in front of a mirror.

Besides, I get to go to new places for free. For Miss Tanakpur Hazir Ho, I got to see western Uttar Pradesh, and learn its language. For Masaan, I went back to Benaras, where I grew up. I stayed in a small room, away from the unit, by the Ganga river. I travelled to the location by boat. My makeup would be a dip in the Ganga! That kind of life is such an experience.

Plus, I get to work with such talent. In Miss Tanakpur, I got to work with Annu Kapoor and Om Puri and directors like Vinod Kapri, who think very differently. Subhash Kapoor is also a former journalist like Vinod Kapri we did Dum Laga Ke Haisha. A director may be talented but he may not have a good script or the vice versa. Jahaan mausam badiya hai wherever the weather is good, I will be there

But we’re getting ahead of ourselves. Let’s start with who Sanjay Mishra really is.

Sanjay Mishra, 51, loves to cook and listen to Pink Floyd.

Okay, let’s rewind some more.

I belong to a family of government servants says Mishra. His father worked in the information and broadcasting ministry, his grandfather was a district magistrate.

But it was his grandmother who was his earliest influence. She used to sing for the Patna radio station and Mishra spent his childhood vacations with her. All his relatives would gather around and having singing sessions and Mishra would join them.

At age nine, Mishra shifted to Benaras.

My father was deeply interested in the arts. We would have a lot of visitors at our home who would read, play the sitar and other music. This influenced me and I wanted to do something on those lines. I used to get stressed out with studies. I couldn’t remember dates. I flunked Class X twice and my father was very tense about my future, he says.

Then he heard about the National School of Drama and decided to try it out.

Irrfan was in his final year at NSD at the time and impressed Mishra with his plays. Irrfan’s wife, Sutapa, was an actress there as well.

The two talented actors would go on to work together in movies like Charas and Krazzy 4.

Mishra next stop was Mumbai.

When I came to Mumbai in 1991, you had to either be a comedian or a villain or a hero. People couldn’t place me in any of these categories. Tigmanshu Dhulia, my NSD batchmate, offered me a television serial. Between 1991 and 1999, I tried my hand at everything from lighting to art direction to camerawork. I also did photography and earned some money. I lived on vada pav. If I missed home, I would go to Andheri (north Mumbai suburb, home to many television and film actors) station, where the Delhi-bound Rajdhani train would pass, and cry (Mishra’s parents were living in Delhi at the time).

This, he insists, was not his struggle period. I was learning all this time. These experiences helped me in Ankhon Dekhi, Mishra said, referring to his brilliant 2013 film, which won him many awards.

Many of you, though, may not remember him in his first film, O Darling Yeh Hai India (1995).

I really looked up to Ketan Mehta after his film, Mirch Masala. I wanted to be around him. Whether he gave me a job or not was secondary. I thought I would at least know something about my favourite director how he thinks, how he operates. He gave me a role in O Darling Yeh Hai India, Mishra says.
He had also tried his hand at television; his first serial was Chanakya (1991). On the first day, 20-25 takes ho gaya but it wasn’t happening,Mishra says. I had come to Mumbai to act but I couldn’t! Then, I realised that I had read the script too deeply.The Chanakya in my mind was very different from the one in the director’s mind. I stopped reading scripts from that day. Whatever the director wants, I do.

He went on to do more television shows like Adi Pocha’s Sorry Meri Lorry (1995) Pocha’s assistants included Farhan and Zoya Akhtar. It was a joke-based show, Mishra says. On the first day, we shot five jokes with great difficulty. Towards the end of the show, we were able to do 70 jokes a day. We had learnt about timing and how to make people laugh in a minute.

During the cricket World Cup series in 1999, Mishra’s Apple Singh commercials for ESPN Star Sports became so popular that the character was adopted as the face of the channel.

Then he signed up the hugely popular sitcom Office Office, with Pankaj Kapur, Manoj Pahwa and writer Ashwini Dheer.

Though it was Kapur, as Mussadi Lal, who stole the show, the limelight also shone on the talented supporting cast, including the don’t-care-less, corrupt, soaked in red-tapism bureaucrat, Shukla, played by Mishra.

Sanjay Mishra has enjoyed working for all his movies.

“People say critics are bad but, whichever film I did, critics would always mention me in their reviews and praise me. Slowly, people started noticing me,” he says.

I loved doing Bunty Aur Babli. I love working with Rohit Shetty (the Golmaal series, All The Best). I just shot for Dilwale (Shetty’s forthcoming film, which bring back the popular romantic pair, Shah Rukh Khan and Kajol, releases December 18). Kuch bhi karva leta hain mujhse (he makes me do anything)

He’s calls Shetty a T20 player whose every ball is a four or a six. Ankhon Dekhi director Rajat Kapoor is, on the other hand, labelled a Test match player by Mishra. After watching this film in a theatre, I fell in love with my character, he says. I couldn’t believe it was me. When I watched it again, I thought, That’s me on the screen. I’ve only done this role.

My stomach was hurting and I was hospitalised. They removed 15 litres of pus from my stomach. One tends to eat anything during shoots and my stomach was affected. My father was very worried that I couldn’t shoot because filmmaking involves a lot of money. He would take me for walks to help me recover. Once, a dean of a Patna hospital came to me and said his wife, who was also hospitalised, wanted to meet me. I was in a bad shape but I went anyway. He told her, Dekho kaun aaya hai. She turned and looked at me and smiled. She was on her deathbed. I felt so blessed — there was a lady on her death bed and she wanted to meet me. It was a better feeling than winning all the Oscars of the world,” he says.

Ironically, 15 days after he recovered, his father passed away.

I was shattered Mishra says. I could not go back to Mumbai. I wanted to be alone, so I went to Rishikesh and started working in a dhaba, making omelettes. The Sardar who owned the dhaba did not recognise me. But costumers would see me and ask, “Golmaal mein aap hi the na (Weren’t you in Golmaal)?” Then, they would want a photograph with me. Finally, the Sardar asked me who I was. Someone had told him I was an actor.

It was Rohit Shetty coaxed Mishra to return and act in All The Best. During the shooting, I would cry in my van very often because I would miss my father, Mishra says.

The first thing his mother told him when he returned to Mumbai was Shave.

The second thing was, Get married.

Mishra, who was scarred by a failed marriage during his NSD days, wasn’t sure. But he started feeling lonely after his father’s death, so he agreed to an arranged marriage in 2009.

He recently spent nine days in Uttarakhand, his wife’s Kiran’s hometown, with his family.

“I cleaned potty for nine days!” he exclaims. When I’m shooting, my wife sends pictures of what the kids are doing at the moment. During the holidays, my family accompanies me to my outdoor stints. Now, Pal knows the difference between shooting and dubbing. Shooting means her father will be gone for a long time. Dubbing means he’ll be back for lunch! he laughs.

His trademark laugh transports us back to his comical scenes in his movies.

Yes, there must be a television channel playing a Sanjay Mishra movie right now.

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